"I got that from the Hollys," she said.
Jean and Forrest Holly are the main characters in Vreeland's book,
What Love Sees, the fact-based tale of a blind couple and
the life they made for themselves on a ranch in Ramona.
If the Hollys had held themselves back, they never would have been married.
She was from a wealthy, over-protective family in New England.
He was from a simple ranching family in San Diego County.
They met through the mail, through letters that had to be read to them
by other people.
They lived in a small, drafty wooden house until he learned how to make
adobe bricks and built them a bigger home. They raised four children.
Blindness was a fact of life, not a way of life.
"One of the things I felt strongly about in doing this story is that many
of our limitations are self-imposed or socially imposed," Vreeland said.
"Through the Hollys I saw that vision is not just a physical activity.
They had a spiritual sense of vision, a deeper sense of vision.
They would see things in people and situations that maybe
a sighted person would miss."
The first time Susan Vreeland saw Jean and Forrest Holly, they were at a
large gathering, and people seemed drawn to the blind couple.
"They got along so well there, and everybody seemed to love them," she said.
This was in the early 1980's. Vreeland wound up talking to one of the
couple's children, Faith. She heard the story about how Forrest had
lost his sight in a football accident, about how
Jean had lost hers to natural causes.
She heard about how they had met through one of Jean's friends,
traded letters and then trekked across the country to convince
themselves (and their families) that they ought to get married.
Vreeland learned, too, about the life the Hollys cobbled together
beginning in the 1940s--how Forrest moved from cattle rancher
to adobe-brick maker to building contractor through sheer force of will...
"Gee, you really have a story here," Vreeland told Faith Holly.
"You ought to write it."
"You're the writer," Faith replied. "You write it."
Vreeland had authored numerous newspaper and magazine articles, in addition to
teaching English literature, art [ceramics], and creative writing in the
San Diego Unified School District...but she had never tried a book. She thought
about the project for several months, and the story wouldn't leave her alone.
"It was just so interesting," she said. "They had a remarkable ability
to live independently, not to feel they were living any less fully that the
Still, a whole book? "I don't think I can write a whole book," Vreeland
remembers telling Faith.
And Faith asked, "Well, do you think you can write a chapter?"
That broke the logjam. "It helped me past the feeling of being overwhelmed
by it all," Vreeland said.
The book took about four years to write. Vreeland calls it a "biographical
novel," because although it closely parallels the real story, some dialogue
and scenes are invented to bring to life certain generalizations and character
To check the accuracy, Vreeland read chapters to Jean Holly, now in her
'70's. (Forrest had died while the book was being written.) Sometimes, in the
reliving of it, Jean would cry.
Vreeland knew she had captured the family pretty well. "But I never
expected my words to see the light of day," she said.
Wrong again. The book was published by PaperJacks in 1988. It sold about
16,000 copies in two months. Then the publisher went out of business.
So much for the big time. Vreeland went back to her teaching and writing.
All of the Hollys settled in other places, in Oregon, Iowa, and Illinois,
save for Will Holly, the second-youngest, who wound up in Carlsbad,
California and worked as a photographer and airplane mechanic.
And that, it seemed, was that.
Until Vreeland one day got a phone call.
Turns out that What Love Sees made its way to someone at
Rosemont Productions, a company that makes TV movies, and then to
Richard Thomas, the actor forever known as John Boy Walton.
They liked the book and wanted to make it into a
film. Thomas was eager to portray Forrest Holly.
[The rest of the article deals with the production,
which was filmed in San Diego County and aired on CBS
in September, 1996. Since it is rebroadcast only at
unpredictable times, I'll skip to this summation.]
Vreeland said crew members talked frequently about how nice it was
to do a movie that didn't involve car crashes and gun play.
"They all felt uplifted by this story," she said.
One of her greatest joys was watching the interaction of the Hollys
and the actors playing them...
"There were a lot of hugs and mutual admiration--admiration from the
family for the way the movie was retaining the integrity of the story,
and admiration from the actors for the lives lived that had given them
these characters to play."...
"I guess I've learned a little of the Hollys refusal to accept
limitation," Vreeland said.